Channel profile · tracked by Breakout Lens
Karma ai films
12,100 subscribers · about 74 months old · ~164 subs/month to date ·publishing in English / Global ·Short Films & Stories, Fantasy / Myth, Sci-Fi / Time Travel
Breakout videos
- 013.4×
- 021.0×
- 030.7×
- 040.6×
A Swordswoman Entered A Deadly Gate To Save Her Dying Mother, But Monsters Were Waiting | KAVARI pt1
- 050.6×
- 060.4×
- 070.4×
- 080.3×
- 090.2×
She Entered A Deadly Frozen Gate For Her Mother, But The Guardian Sent Her Between Worlds | KAVARI 4
- 100.2×
- 110.1×
How to read this channel
Karma ai films is a 12,100-subscriber channel (about 74 months old) working mainly in Short Films & Stories, Fantasy / Myth, Sci-Fi / Time Travel, publishing first in English / Global. The radar tracks 11 of its uploads. Its strongest signal (breakout score 3.4× the dataset median) reaches 231.7× the channel's subscriber count and has averaged 18,206 views a day since it was published 154 days ago, on “STRANDED: Survival Island | AI Short Film” (2,803,704 views). That is a lifetime average, not a current rate — one capture per video means this dataset cannot distinguish a video that is still climbing from one that already peaked. The API reports the audio track language as en.
There is one statistic this page deliberately does not print: a per-channel “share of uploads that reached 3×”. Every video on this site cleared that floor before it could be tracked at all, so the figure would read 100% for every channel and would distinguish nothing. What is left instead: 11 tracked uploads pulling 3,858,881 views between them, the strongest reaching 231.7× its audience. Repeated strong reach across several uploads is the part that suggests a format; one outlier is not. The hook patterns the tracker infers from its titles are statement / cold open (9), contradiction hook (2), and the production choices that repeat are no-face format (no host on camera), ai-generated visuals declared in the title, ends on a cliffhanger to farm next-episode views, single-sitting long-form (30min+).
What to copy and what to skip: copy the packaging pattern (title structure, the promise made in the first seconds, the episode length that keeps working) and skip the parts that only this channel can do — an existing subscriber base, cross-posting, or a back catalogue that feeds recommendations. Then compare this channel against the others on its category board: same niche, different market, different length. That comparison is where the transferable part usually hides.
Those are audience numbers, not earnings: the public API returns views and subscribers but never revenue, so nothing on this site can tell you what the channel takes in. To turn an audience size like this one into a money figure under assumptions you set yourself, the YouTube channel value calculator applies an RPM you choose to views the API actually reports — it draws its comparables from the same tracked channels, and it holds no revenue data either.
Reproducible playbook
Opening hook (title-derived)
Statement / cold open · estimated hook window 16s before the main body.
Beat rhythm (Hook → escalation → twist payoff)
- Hook 0%–4%
- Context 4%–18%
- Escalation 18%–55%
- Peak 55%–82%
- Close 82%–100%
Production choices that repeat
- No-face format (no host on camera)
- AI-generated visuals declared in the title
- Ends on a cliffhanger to farm next-episode views
- Single-sitting long-form (30min+)
- Episodic series / numbered parts
Derived from the title, duration and market — no frame-level video analysis, and no use of the labels this site writes on an entry.
Compare with
Same niche, market by market
- 🌌 Sci-Fi / Time Travel × English / Global · 132
- 🧙 Fantasy / Myth × English / Global · 117
- 🎞 Short Films & Stories × English / Global · 110
Niche board and neighbouring channels
- All 🎞 Short Films & Stories breakouts
- Frutinovelas · 3×
- Animated History · 3×
- Emma World Official · 4×
- AIM Media Pro · 3×
- Lucas Cinematic Studio · 4×
Snapshot rebuilt 2026-10-11 · 3536 signals · 1334 channels. Metrics come from the YouTube Data API v3 and are stored captures, not live counters; ages are recalculated from each video's publish date at build time.